So now that we’ve gotten all of the theory out of the way, let’s begin to look at how to adjust the keys of songs that aren’t in guitar-friendly keys. In total, you only have 14 chords to learn: C, D, E, F, G, A, B, C#m, Dm, Em, F#m, G#m, Am, Bm. Notice also how many of the chords overlap among the different keys. To make things even simpler, the vii° chords are rarely used in pop songs, so you can think of each key as having only six chords. The five guitar-friendly keys are C, A, G, E, and D. The chart above may seem intimidating at first because of the sheer number of chords, but one of the main purposes of the capo is to move keys around, so you really only need to know how to play all seven chords in a couple of keys (instead of 12). You may be wondering, what’s the point of all this? Keep on reading and it’ll all make sense. For example, in the key of C, the G chord in the key of C plays the function of the V chord, and the Em chord plays the function of the iii chord. Most of the time, only four or five out of the seven chords appear.Īdditionally, the roman numerals at the top of the chart (I, ii, iii, IV, V, vi, vi°) are known as functions. So, for example, if a song is in the key of Bb, the most likely chords to appear in the song are Bb, Cm, Dm, Eb, F, Gm, and Adim. This chart shows all seven chords in each of the major keys, and chords in pop songs rarely move out of the key of the song. (The root note of the I chord is also the key) Each major scale has seven chords, listed in the following chart. Put simply, when dealing with pop music, most songs use chords in major scales. Lastly, with enough knowledge of chords and chord progressions, you can essentially play any song in any key as long as you know the song’s chord progression and how to use this tool effectively.įirst things first, we need to talk about the most common chords in all 12 keys. So if you’re not comfortable singing a particular song, for example, in the key of C, simply move the capo around until you find a key that you’re comfortable with. The capo is also a useful tool for singers, because it can be moved around to change the key. A couple of examples include “Here Comes the Sun” by The Beatles, “Riptide” by Vance Joy, and “Collide” by Howie Day. Without a capo, songs with complex voicings are almost unplayable. With planning, you can use the capo to minimize the number of barre chords needed (not that you should avoid them though!). It is a great tool that many guitarists use to make songs easier to play or sound different. It can also act as your index finger when you play barre chords. A capo is a tool that clamps down on all the strings at a certain fret, which effectively moves the guitar’s nut up to that fret.
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